An Eclectic Home With “Good Vibes” and Personality to Spare

There are DIY wannabes—and then there’s jewelry and fashion designer Ambre Dahan, who purchased her dream five-bedroom home in Los Angeles, then designed and decorated the entire thing herself. As in, without a contractor. “I painted everything. I redid all the bathrooms. I redid the kitchen. Put gates outside. I did some of the garden. I painted the kitchen floors,” she says over coffee in New York City’s Bowery Hotel during Fashion Week. “But I loved it. I’m a designer, so for me, design is all the same.”

When she first bought the 1920s-era house in 2017, she was lured by its sprawling garden, giant pool, metal windows, and good vibes, but she also couldn’t resist the house’s backstory. The seller was screenwriter Barbara Turner, who raised her two daughters there (one of them is actress Jennifer Jason Leigh); Dahan would be moving in with her own two daughters. (It’s also where Jason Leigh’s ex-husband, Noah Baumbach, shot the film Greenberg.)

<div class="caption"> In the light-filled foyer, a Damien Hirst painting hangs over a primitive bench. </div>

In the light-filled foyer, a Damien Hirst painting hangs over a primitive bench.

But before the family could relocate from Malibu, Dahan had to make her changes—in just six months. So she did her homework, calling interior designer friends to ask about paint finishes (instead of removing the mismatched wood floors in the kitchen, she hired artist Nicolas Valle to paint them in a black-and-white checkerboard pattern) and sanding techniques. (That massive staircase and wood-paneled library? All hand-sanded.) Though she outsourced where she could, Dahan also took the reins in choosing marble for her bathrooms and kitchen from a local marble yard, and added a second doorway in the dining room.

When it came to choosing furniture, she didn’t buy all new pieces. Instead, she found ways to make what she loved in her old home work in the new space, a testament to her creativity and good taste. “My style is very eclectic, and I like mixing everything,” she says. “I think that’s why all the furniture works in this house. When you love something, you just find a way. You rearrange, you reupholster, and you just play with it to give it another life.”

<div class="caption"> Dahan didn’t have room in her budget for new outdoor tiles, so she painted the poolside cement with white paint to give the illusion of tilework. The pool’s original diving board still launches guests into the water. </div>

Dahan didn’t have room in her budget for new outdoor tiles, so she painted the poolside cement with white paint to give the illusion of tilework. The pool’s original diving board still launches guests into the water.

Nowhere is this more apparent than in the living room, where a de Sede leather sofa snakes through the middle of the space. When she and her ex-husband, Joe Dahan, founder of Joe’s Jeans, bought it for their house, it was brown, so they dyed it black. Now, it’s faded from dogs, children, and general wear, but Dahan wouldn’t have it any other way. In her home and in her own designs, Dahan just knows what works, and she carries her creative instincts and warm spirit over into her massive house parties, some of which have drawn crowds of 200 people and have been known to last until 9 a.m. (Miraculously, there was not a peep from the neighbors, she says with a laugh.)

“Looking back, I wish I’d gone to architecture school,” she says. “I would have loved that, because now I’m more interested in interior design than anything else.” In fact, this month she’ll open a store for SPRWMN, her leather-led fashion label, and she’ll sell Ambre Victoria Jewelry, her collection of stackable bangles, there too. It’s little surprise she’s designing the space—from the chandeliers to the window displays—all by herself.

An Eclectic Home With “Good Vibes” and Personality to Spare

<div class="caption"> The kitchen in fashion and jewelry designer Ambre Dahan’s L.A. home is a lesson in past meets present: A vintage table blends seamlessly with new Arabescato marble countertops (“I went to the marble yard myself,” she says) and a <a href="https://www.lacanche.com/" rel="nofollow noopener" target="_blank" data-ylk="slk:Lacanche" class="link rapid-noclick-resp">Lacanche</a> range, which Dahan promises she uses regularly for her epic dinner parties, or for crab boils on her daughter’s birthday. </div>
The kitchen in fashion and jewelry designer Ambre Dahan’s L.A. home is a lesson in past meets present: A vintage table blends seamlessly with new Arabescato marble countertops (“I went to the marble yard myself,” she says) and a Lacanche range, which Dahan promises she uses regularly for her epic dinner parties, or for crab boils on her daughter’s birthday.
<div class="caption"> In the breakfast nook, a fresh coat of paint transformed the wood floors into a black-and-white optical illusion, and the Valle hand-painted vines create a secret-garden feel. An Eero Saarinen table surrounded by Charlotte Perriand chairs completes the scene, while a Lucien Smith piece hangs nearby. </div>

In the breakfast nook, a fresh coat of paint transformed the wood floors into a black-and-white optical illusion, and the Valle hand-painted vines create a secret-garden feel. An Eero Saarinen table surrounded by Charlotte Perriand chairs completes the scene, while a Lucien Smith piece hangs nearby.

<div class="caption"> Dahan brought the Herve Van der Straeten white lacquered table and chandelier from her last home, and reupholstered Eero Saarinen chairs in a sunny shade. A Malick Sidibé photograph (“I’m so happy I have that piece,” she says) watches over. </div>

Dahan brought the Herve Van der Straeten white lacquered table and chandelier from her last home, and reupholstered Eero Saarinen chairs in a sunny shade. A Malick Sidibé photograph (“I’m so happy I have that piece,” she says) watches over.

<div class="caption"> In the library, an <a href="https://www.restorationhardware.com/" rel="nofollow noopener" target="_blank" data-ylk="slk:RH" class="link rapid-noclick-resp">RH</a> desk and Charlotte Perriand stool sit atop a <a href="https://christopherfarr.com/" rel="nofollow noopener" target="_blank" data-ylk="slk:Christopher Farr" class="link rapid-noclick-resp">Christopher Farr</a> rug. A vintage chandelier hangs overhead. Dahan hand-sanded wood walls to give them a natural, unfinished look. </div>
In the library, an RH desk and Charlotte Perriand stool sit atop a Christopher Farr rug. A vintage chandelier hangs overhead. Dahan hand-sanded wood walls to give them a natural, unfinished look.
<div class="caption"> The TV room is as much a place to lounge as it is an art gallery. Above the <a href="https://www.minotti.com/en" rel="nofollow noopener" target="_blank" data-ylk="slk:Minotti" class="link rapid-noclick-resp">Minotti</a> sofa, Dahan displays pieces by her friends and other works she’s collected over the years, including one by Peter Zimmermann. </div>
The TV room is as much a place to lounge as it is an art gallery. Above the Minotti sofa, Dahan displays pieces by her friends and other works she’s collected over the years, including one by Peter Zimmermann.
<div class="caption"> A curved de Sede black leather vintage sofa dominates the living room, and a sea urchin–like <a href="https://jeandemerry.com/" rel="nofollow noopener" target="_blank" data-ylk="slk:Jean de Merry" class="link rapid-noclick-resp">Jean de Merry</a> Spike chandelier looks down on the space. Behind the sitting area, Serge Mouille lighting hangs over a table of vintage objects and Robert Kuo vases. </div>
A curved de Sede black leather vintage sofa dominates the living room, and a sea urchin–like Jean de Merry Spike chandelier looks down on the space. Behind the sitting area, Serge Mouille lighting hangs over a table of vintage objects and Robert Kuo vases.
<div class="caption"> The portico is the setting for some of Dahan’s best parties, like her unofficially titled Outpost Social Club get-togethers. An African black clay chandelier shines light on her epic spreads. </div>

The portico is the setting for some of Dahan’s best parties, like her unofficially titled Outpost Social Club get-togethers. An African black clay chandelier shines light on her epic spreads.

<div class="caption"> A Hubert Le Gall mirror reflects the light at the top of the stairway, and a <a href="https://www.vanderstraeten.fr/en/" rel="nofollow noopener" target="_blank" data-ylk="slk:Herve Van der Straeten" class="link rapid-noclick-resp">Herve Van der Straeten</a> chandelier overlooks the scene. </div>
A Hubert Le Gall mirror reflects the light at the top of the stairway, and a Herve Van der Straeten chandelier overlooks the scene.
<div class="caption"> Dahan relied on neutrals in her master bedroom, where Jean Royere cone-shaped lighting adds texture. A tree adds a pop of color. “It’s my obsession, and it’s really hard to keep alive,” she says, “but it’s been alive for three years.” </div>

Dahan relied on neutrals in her master bedroom, where Jean Royere cone-shaped lighting adds texture. A tree adds a pop of color. “It’s my obsession, and it’s really hard to keep alive,” she says, “but it’s been alive for three years.”

<div class="caption"> “I wanted something very dramatic,” Dahan says of the maroon veins in her Calacatta Viola marble master bath. Two Hubert Le Gall mirrors hover over each sink, and vintage brass lighting sets the mood. </div>

“I wanted something very dramatic,” Dahan says of the maroon veins in her Calacatta Viola marble master bath. Two Hubert Le Gall mirrors hover over each sink, and vintage brass lighting sets the mood.

<div class="caption"> An all-white bedroom wasn’t Dahan’s 11-year-old daughter’s first choice, but Dahan convinced her how fresh and clean a white palette can be. The proof? A vintage Indian bed with cream-colored Matteo bedding and Jean De Merry chair, which Dahan reupholstered with a rabbit-fur blanket. “But I didn’t have enough, so I just used white fabric in the back,” she says. “I get creative to make things work.” </div>

An all-white bedroom wasn’t Dahan’s 11-year-old daughter’s first choice, but Dahan convinced her how fresh and clean a white palette can be. The proof? A vintage Indian bed with cream-colored Matteo bedding and Jean De Merry chair, which Dahan reupholstered with a rabbit-fur blanket. “But I didn’t have enough, so I just used white fabric in the back,” she says. “I get creative to make things work.”

<div class="caption"> Dahan and her daughters hang out on the staircase she sanded by hand. A Lucien Smith piece hangs above. </div>

Dahan and her daughters hang out on the staircase she sanded by hand. A Lucien Smith piece hangs above.

Originally Appeared on Architectural Digest