The next time you walk through a friend’s home, do a quick visual sweep. Is it monochromatic, done in varying shades of beige, white, or blue? Houston-based interior designer Lucinda Loya believes that once you’re aware, you’ll notice the ubiquity of uniformity. “You’ll start to see that a lot of projects lack contrast,” the decorator insists. “So I always put some black and some white in every room to provide a visual point of reference—from no color to absolute color. I call it the ‘equilibrium of interiors.’”
For a successful Houston tech executive and a jewelry designer, plus their three children, Loya took that continuum of color to the extreme. Anchoring every room in black and white—perhaps a curtain, a trim, or a tile pattern—the designer then layered on patterns and rich hues that remain warm and dense without overpowering any space. “Everything that went in had something of interest, like the irregular shape of the rug in the living room or the decoupage lamps by Houston artist Liz Marsh,” she says.
Tour a Seemingly Traditional Houston Home Where High-Contrast Design Rules
Visitors entering the red-brick home in the Memorial area of Houston won’t be surprised by the layout: Traditional Colonial with a living room to one side, the dining room to the other, and the kitchen and family room at the back. What they don’t expect is the drama. The home, designed for five humans and three cats, is an exercise in imaginative reconfigurations of conventional spaces. The staircase leading upstairs to the bedroom wraps around a chandelier that Loya painted black, for example; the living room fireplace is clad in book-matched marble that resembles an animal hide (or an alien insect, depending on your mindset). Every space is welcoming and functional to suit the family’s lifestyle, yet elevated with small features that appeal to a discerning eye keen for some new approaches to decor.
“I am an ‘attention to detail’ person, so every stitch, every edge matters to me—and it mattered to this client,” explains Loya. “They gave me the opportunity to really go for it.” In the end, says the designer, the black and white with which she anchors every room amplifies the design decisions that only a confident client (and decorator) might make. Monotony? You won’t find it here.
When Houston designer Sherrell Neal first set eyes on the 1997 house she and her husband would call home, “it needed a lot of updating,” admits the designer. Luckily, though, “my husband and I both being in the design industry, we could see a lot of potential.” The biggest issue […]
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